“Terrestrial Verses,” one of the most brilliant and provocative films to emerge from Iran recently, has qualities that link it to both the modernist formal traditions of post-1979 Iranian cinema and the more recent trend of social and political asperities aimed at the authoritarian repressiveness of the Islamic Republic. The …

Ryosuke Hamaguchi’s provocatively titled “Evil Does Not Exist” (102 minutes) taught me a word I’d never heard before: glamping. I don’t know if the term really exists in present-day Japan or if Hamaguchi made it up for his film, but it’s a contraction of “glamorous camping,” a practice whereby wealthy …