Two several types of viewers tuned in to take a look at The Ark on Syfy final week: these in search of a enjoyable sci-fi journey and people searching for a innovative house epic. Whereas the pilot actually met the wants of these anticipating an fulfilling romp, others might have discovered any true depth missing within the premiere, regardless that judging by a single episode is perhaps thought-about unfair.
The Ark showrunners Dean Devlin and Jonathan Glassner admit they have been going for familiarity over something innovative. “There was a real desire to make a really comfortable old shoe but to put a new spin on it … bucking the trend lately of these incredibly dark and edgy shows that often are unique for unique’s sake, as opposed to storytelling’s sake,” says Devlin.
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Glassner agrees that darker isn’t at all times higher. “[The Ark is] kind of what I wanted to see on television that hasn’t been on for awhile,” he says. “There’s been a lot of really good, intellectual science fiction that really makes you think, but they’re often kind of depressing and dark. I wanted to see something that’s just fun, entertaining, and makes you excited at the end.”
Offering recognizable story factors for sci-fi followers allowed The Ark to hurry up its exposition and get proper to the compelling story of survival. “It’s totally intentional,” Devlin says. “We didn’t spend any time explaining what a cryogenic sleeper pod is. We assume you’ve seen Alien or more recently Passengers or a dozen other shows that dealt with the whole idea of being cryogenically frozen for a long trip. We don’t pretend this is the first sci-fi show; we don’t pretend we’re inventing this. The tropes are there for a reason.”
Glassner urges endurance for these in search of a direct payoff for all the varied characters in The Ark. “The criticism that I have been seeing is that we didn’t develop them enough,” he says, “but I think if you stick with the show, you’ll see that they develop quite a bit. They become very three-dimensional characters; it just takes time — there’s a lot of them! We don’t want people standing around saying, ‘Well, let me tell you about myself’ and delving into their backstory that quickly.”
Devlin guarantees that the character of The Ark ensures that viewers will be taught extra in regards to the crew ultimately. “We had to establish an enormously large cast right off the bat which meant nobody really got that much screen time yet,” he explains. “So there’s a lot of shortcuts into helping you understand who they are at the beginning. This is not a show where we have aliens of the week or we go to exotic planet of the week. This is really about the people on this ship, so everything we’re going to watch this season is about them. They will all get their time.”
The showrunners perceive that The Ark viewers aren’t going to love all the characters both. “We want the audience to be annoyed by some characters and fall in love with some characters,” Devlin says. “Part of the fun is watching who people identify with. Just being online, I literally would see Tweets back-to-back saying ‘I love this character!’ and then the very next one someone saying how they hated that character. That’s great! You want people to find their people on the show and then get behind them or root against them… That’s what’s really interesting in a television series.”
The important thing, Devlin and Glassner say, is to have a plan however let the present evolve because the actors make the characters of The Ark come to life. “With this great cast, they’re showing us things that we hadn’t thought of,” says Glassner. “We’re saying, ‘Why did he react to that that way? Maybe we should do this!’ It keeps us from going too far ahead, but we’ve figured it out at least through two seasons where we’re going.”
That being stated, the showrunners’ highway map consists of making a satisfying ending to every season of The Ark, irrespective of what number of there are. “Jonathan and I are both believers that when you watch a season of television, it should be a complete meal,” says Devlin. “I believe that when you get to the end of the season, you will feel that you got a whole story, but then a door will open to tell you that there’s more to tell. There’s more to talk about; there’s more to see; there’s more to learn.”
The Ark episode 2 airs Wednesday, Feb. 8 at 10 p.m. ET on Syfy.
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