While that all makes sense in theory, there’s a secret about the post-Super Bowl time slot that the networks don’t want you to know: it’s far from a guarantee of success. Whether its poor curation of content or the curse of outsized expectations from inflated pilot numbers, TV shows that premiere right after the Super Bowl don’t often go on to receive a second season. Don’t believe us? Check out the handy chart below.
Date | Show | Network | Result |
January 21, 1979 | Brothers and Sisters | NBC | One season, 12 episodes |
January 30, 1983 | The A-Team | NBC | Five seasons, 98 episodes |
January 22, 1984 | Airwolf | CBS | Four seasons, 79 episodes |
January 20, 1985 | MacGruder and Loud | ABC | One season, 15 episodes |
January 26, 1986 | The Last Precinct | NBC | One season eight episodes |
January 25, 1987 | Hard Copy | CBS | One season, 10 episodes |
January 31, 1988 | The Wonder Years | ABC | Six seasons, 115 episodes |
January 28, 1990 | Grand Slam | CBS | One season, eight episodes |
January 27, 1991 | Davis Rules | ABC | Two seasons, 29 episodes |
January 31, 1993 | Homicide: Life on the Street | NBC | Seven seasons, 122 episodes |
January 30, 1994 | The Good Life | NBC | One season, 13 episodes |
January 29, 1995 | Extreme | ABC | One season, 13 episodes |
January 31, 1999 | Family Guy | Fox | 22 seasons, 418 episodes |
February 6, 2005 | American Dad! | Fox | 20 seasons, 366 episodes |
February 7, 2010 | Undercover Boss | CBS | 11 seasons, 136 episodes |
February 5, 2017 | 24: Legacy | Fox | One season, 12 episodes |
February 3, 2019 | The World’s Best | CBS | One season, 12 episodes |
February 7, 2021 | The Equalizer | CBS | Three seasons, 46 episodes |
By our count, 18 new TV shows have premiered their first episode after a Super Bowl and of those 18, only nine (or 50%) reached anything resembling long-term success. In this case, we’re interpretting “success” as merely a second season. Even that is a pretty liberal definition though. If we exclude shows that did receive second seasons but didn’t make any kind of longterm cultural impact (Airwolf, Davis Rules, The Equalizer) then the post-Super Bowl time slot’s success rate goes down to 33%.
Per some studies (albeit dated ones), this number is consistent with the 20-35% rate that the average network series faces even without boost of a super-sized audience for its first episode. Why then, do networks continually perceive the post-Super Bowl slot as a good spot to debut new shows? The answer to that question is that, increasingly, they don’t.
In the 21st century, networks have used the Super Bowl to premiere a fresh show only five times, most recently with 2021’s The Equalizer. Instead, many networks of late have opted to air “special” episodes of their existing programming to both reward current fans and try to appeal to new ones. Due to all the statistical noise surrounding viewership numbers in the cable and streaming age, it’s hard to pinpoint whether this leads to a noticeable increase in ratings. What is clear, however, is that it does lead to some great episodes of television. Just glance at the impressive list below.
Date | Show | Episode | Network |
January 28, 1996 | Friends | The One After the Superbowl” | NBC |
January 26, 1997 | The X-Files | “Leonard Betts” | Fox |
January 25, 1998 | 3rd Rock from the Sun | “36! 24! 36! Dick” | NBC |
January 30, 2000 | The Practice | “New Evidence” | ABC |
February 3, 2002 | Malcolm in the Middle | “Company Picnic” | Fox |
January 26, 2003 | Alias | “Phase One” | ABC |
February 1, 2004 | Survivor: All-Stars | “They’re Back!” | CBS |
February 5, 2006 | Grey’s Anatomy | “It’s the End of the World” | ABC |
February 4, 2007 | Criminal Minds | “The Big Game” | CBS |
February 3, 2008 | House | “Frozen” | Fox |
February 1, 2009 | The Office | “Stress Relief” | NBC |
February 6, 2011 | Glee | “The Sue Sylvester Shuffler” | Fox |
February 3, 2013 | Elementary | “The Deductionist” | CBS |
February 2, 2014 | New Girl | “Prince” | Fox |
February 2, 2014 | Brooklyn Nine-Nine | “Operation: Broken Feather” | Fox |
February 1, 2015 | The Blacklist | “Luther Braxton (Part 1)” | NBC |
February 4, 2018 | This Is Us | “Super Bowl Sunday” | NBC |
That’s a pretty impressive batch of TV episodes right there, including a Grey’s Anatomy classic and an Office installment that featured one of the best cold opens over.
This year, CBS is going to play it risky by using its post-Super Bowl slot to premiere its new show Tracker. Starring Justin Hartley (Kevin Pearson on This Is Us) and based on a book character created by Jeffrey Deaver (who also created the character Lincoln Rhyme), Tracker follows survivalist Colter Shaw (Hartley) as he uses his tracking skills to travel the country and solve mysteries.
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